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This World & Nearer Ones - 19 Public Art Commissions on Governors Island, NYC

Date uploaded: June 4, 2009

Opening June 27th, 2009.

PLOT is a new public art quadrennial, produced and presented by Creative Time. This World & Nearer Ones is the first edition of PLOT, and will be held this summer on Governors Island. 19 artworks by international, contemporary artists will be presented. The exhibition is free and open to the public Friday-Sunday.

Artists will intervene in the architectural and natural fabric of the island, transforming its historic buildings and vast lawns-from the iconic Fort Jay to St. Cornelius Chapel-through installation, performance, video, and auditory works, inviting audiences to reconsider the island's past and future.

Featuring work by Edgar Arceneaux, AA Bronson and Peter Hobbs, The Bruce High Quality Foundation, Adam Chodzko, Tue Greenfort, Jill Magid, Teresa Margolles, Anthony McCall, Nils Norman, Susan Philipsz, Patti Smith and Jesse Smith, Tercerunquinto, Tris Vonna-Michell, Mark Wallinger, Klaus Weber, Lawrence Weiner, Judi Werthein, Guido van der Werve, and Krzysztof Wodiczko. Curated by Mark Beasley.

Excerpt from the Curatorial Statement

It could be stated that many of the works of This World & Nearer Ones seem enveloped in a pall of darkness, to be read either as a persistence of the irrational and the obscure or a reflection of the spirit of the age. It was the Impressionists that chose to employ dark mirrors, in order to refresh their eyes and see color anew; to stare into dark glass before turning back again to the world. This, then, is the exhibition as dark mirror. It seeks, through materially slight and ephemeral means, to present works that eschew the spectacular and absolute and, employing more than a little dark humour, invite open speculation.

Avoiding easy succour—there is no vividly coloured, lime green, depression-era glass by which to forget oneself—the artists present a world in which certainty and the future are in question. For certainty without critical thought has been the crowning tragedy of the age. What we are being asked to consider is the sureness of our beliefs, from the invocation of spirits both scientific and ritually summoned; fictional architecture and neo-liberal urban planning; the ghosts of counterculture and culturally-sanctioned agit-prop to the spoken testimony of army veterans and science fiction narratives. It, as with the island, is in a state of becoming, caught between worlds and open to all, a moment to consider without fixity the times in which we live.

Mark Beasley, May, 2009